“After I made Oldboy, I realized that the only character who is not privy to the entire truth in that film was the female character; she was the only female character in the film, and she was excluded from the truth. That made me so uncomfortable in such a big way that is spurred me on to developing Lady Vengeance. That was the genesis from which I went on to make other films with strong female characters.”  —  Park Chan-wook

Gérard Schlosser (French, b. 1931), La fenêtre de derrière [The back window], 1986. Acrylic on canvas, 162 x 130 cm.

i’m coming home now

China. Beijing. 1999. Forbidden palace. Stuart Franklin.

MAHERSHALA ALI
for W Magazine (2019), ph. Tim Walker.

Braid. 

hey, that was a long one so lets take a rest before jumping into the new year

xxx

thanks as always for your support and love. I’ll be putting this up on INPRNT tomorrow (and sending myself a print of it to be reminded to take a break every now and again) so check in then if you want one.  

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Dj Earworm - Blame it on the pop (United state of pop 2009)